Why paper

The point is the book they ask for again

A story starts with their idea and becomes something they can hold, reread and share. A real book, with their name as the author, ready for another bedtime. That is the experience Talebrix is designed to create.

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A story that becomes part of their shelf

The printed book is the point of Talebrix: something that remains after the making is finished.

  • Hold it

    Turn the pages together and see their idea become a real book.

  • Read it again

    Return to the same characters and familiar words whenever they want.

  • Share it

    Take it to grandparents, show a friend or put it proudly on the shelf.

What the research says

The homepage puts four findings on cards. Here they are with the studies behind them, so that anyone who wants to check can. None of them is about Talebrix — a product that has not shipped has no studies of its own, and we are not going to borrow any. Every one is about picture books read with a grown-up, which is what comes out of it.

Paper gets the two of you talking. Munzer, T. G., Miller, A. L., Weeks, H. M., Kaciroti, N. and Radesky, J. (2019). Differences in Parent–Toddler Interactions With Electronic Versus Print Books. Pediatrics, 143(4).

Children follow a story better on paper. Furenes, M. I., Kucirkova, N. and Bus, A. G. (2021). A Comparison of Children’s Reading on Paper Versus Screen: A Meta-Analysis. Review of Educational Research, 91(4), 483–517. The same review found that a screen book can match or beat paper when what it adds is built around the story rather than beside it. A grown-up reading a paper book aloud still did better than a child reading an enhanced one alone, which is the comparison the homepage draws.

The same book again is how words stick. Horst, J. S., Parsons, K. L. and Bryan, N. M. (2011). Get the Story Straight: Contextual Repetition Promotes Word Learning from Storybooks. Frontiers in Psychology, 2, 17.

Repetition is the mechanism, not the fault

An adult reading the same forty words for the thirtieth night experiences it as an endurance event. The child is doing something else entirely: they are getting to the point where they know what comes next, and knowing what comes next is the entire pleasure. It is why they correct you when you skip a page.

A printed book gives a favourite story a lasting place on the shelf, ready to return to without making a new one.

Ready to take with them

A physical book can come off the shelf, travel to somebody else’s house and be read together without opening a device. Once it is printed, the story is there on the page whenever they want it.

What thirty nights looks like

The measure of one of these is not the night it is made. It is what it has become a month later — softer at the corners, opened at the same page, asked for by a name the child gave it rather than the one printed on the front.

And it is a book they helped shape. Asking for the same story thirty nights running is one thing. Asking thirty nights running for the one you made yourself is a different thing entirely, and it is the whole reason Talebrix makes an object rather than a file.

  • Night one

    “What’s this one?”

  • Night four

    “The dragon one.”

  • Night thirty

    “Again.”

And yes, Talebrix has a screen on it

We know exactly how this reads. You are being sold a device with a display, by people telling you screens are the problem. It is a fair objection and it deserves the whole answer rather than a reassuring sentence, so here is everything that display does.

Children speak their ideas and choose between options on the touchscreen. There is no scrolling feed and no child account. The finished story is read as a printed book.

The concession is the point: this is not a screen-free house being sold to you, it is a device with touchscreen choices and a printed story to keep. What your child is doing while it does that is the part worth looking at.

  • Speaking

    They say what the story is about, who is in it and what goes wrong — out loud, to you, in their own words. Putting an idea into words somebody else can follow is where writing starts.

  • Listening

    The questions come out loud and are answered out loud. Then the book is read to them, by you, and a child who knows what is meant to happen next listens for it.

  • Looking

    The pictures are printed on the page, not lit from behind. A picture book is how a child learns to read a picture before a word — who is frightened, where the fox went, what is about to happen.

  • Holding

    A proper picture book, on smooth paper, with pages to turn and a cover to carry to school. Which way up, which way the pages go, where a story starts: that is learned by handling one.

Nothing for the child to unlock

They never hold it, never log into it and never have an account on it. They say out loud what the book should be about — to you, from the end of the bed — and the aim is a finished book within minutes. Every part of the design that looks like a restriction is that promise being kept somewhere.

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